born 1955. View Scale Rotate. Far from being eternally fixed in Provenance. We notify you each time your favorite artists feature in an exhibition, auction or the press, Access detailed sales records for over 657,106 artists, and more than two decades of past auction results, Buy unsold paintings, prints and more for the best price, Notes to Basquiat: Myth of The Western Man ,2001, Notes to Basquiat: Cut the Circle II ,2001, Home Decor (After Margaret Presont) ; Preston+DeStijl = Citizen (My Boomerang Won't Come Back) 1996 - Gordon Bennett, Home Decor (Counter Composition) Black Swan, 1999 - Gordon Bennett. by Greg Tate which reads: "To be a race-identified race-refugee is to inscribed in pencil on reverse : G Bennett 19-5-2000 / "NOTES TO BASQUIAT : DOUBLE VISION" / Acrylic on Linen 152 x 182.5 cms / Jean Cocteau "orpheus" / MIRRORS WOULD DO WELL / TO REFLECT MORE". The strange row of heads depicted in the very early work, The Coming of the Light (1987) forms part of the background of this same image. Estimate: $35,000 - $45,000. Paul Guest OAM QC under the Cultural Gifts Program 2018. Lot 5: GORDON BENNETT, (1955 - 2014) - NOTES TO BASQUIAT - Invaluable Access more artwork lots and estimated & realized auction prices on MutualArt. The Notes to Basquiat: 911 series and the Camouflage series, which reflect on the terrorist attacks of September 11, 2001 and the war in Iraq respectively, highlight Bennett's global perspective. A critically and politically engaged artist, Bennett presents alternative historical narratives of Australia and of contemporary world events, creating provocative works that place identity politics front and centre. 1955 Artlines | 1-2013 | Publisher: QAGOMA | Editor: Stephanie Kennard. In, In 1995 Bennett began making work under the name 'John Citizen'. Abstraction (Citizen) 2011 Conflict, Violence, Peace & Art: Notes to Basquiat (2001) by Gordon Writing in his Manifest Toe in 1996, Bennett said: If I were to choose a single word to describe my art practice it would be the word question. About; About. Collection: Bendigo Art Gallery, Gordon Bennett Australia 1955-2014. You lost your balance. Gordon Bennett's artwork is on display at Tate Modern in Artist and Society: Citizens. Gordon Bennett | Notes to Basquiat (1999) | MutualArt NOTES TO BASQUIAT: MYTH OF THE WESTERN MAN, 2001. synthetic polymer paint on linen. Collection: The Estate of Gordon Bennett. The University of Queensland, Brisbane Acquired with the Assistance of the Visual Arts and Crafts Board of the Australia Council, 1989, The Estate of Gordon Bennett Collection: The University of Queensland. Of the latter four, Bennett is most easily understood as a critical postmodernist. Gift of The Hon. 120 x 80cm In his recent book Rattling Spears: A History of Indigenous Australian Art (2016), art historian Ian McLean argues that anger is the consistent emotion expressed by Bennetts work. Change), You are commenting using your Facebook account. In the late 1990s Bennett responded to the personal experiences and practice of Puerto-Rican Haitian-American artist Jean-Michael Basquiat by producing a series of paintings that referenced the style and appropriated motifs of Basquiat's own art. Read more: I already knew Bennett was in dialogue with other artists and their distinct painterly idioms: Mondrian, Margaret Preston, Thomas Bock, Jean-Michel Basquiat and Jackson Pollock to name just a few. In other words, such discrimination and historic prejudice directly relate to the current cultural conflict and ongoing search for identity for Indigenous Australians (NGV 2014). Preston, though well-meaning in her quest to create a truly national artistic style, produced works that corrupted sacred aboriginal motifs, and presented aboriginal people as little more than stylised caricatures of the noble savage.In addressing these notes, the paintings, to the departed American artist Jean-Michel Basquiat, Bennett expressed what he felt was histories of shared experience, an affinity felt through mutual exclusion from a euro-centric contemporary art world. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Gordon Bennett. Notes to Basquiat Untitled, 1999. Professor of Art Theory and Fine Art, Griffith University. 'Unfinished Business: The Art of Gordon Bennett' celebrates the Queensland-based artist's globally recognised contribution to . By peeling . Gordon Bennett Australia 1955-2014 Notes to Basquiat (Jackson Pollock and His Other) 2001 Synthetic polymer paint on linen / 2 panels: 152 x 152 cm each, 152 x 304 cm (overall), Gordon Bennett Australia 1955-2014. 109 Bennett's mimicry of Basquiat's style is not an attempt to be like Basquiat or to get an authentic street beat into his life. In the upper left-hand corner, a Margaret Preston stylised female figure tumbles, caught in a modernist lattice reminiscent of the work of Dutch artist Piet Mondrian. In the late 1990s, he embarked on two consecutive series of paintings, the Home Dcor series, and Notes to Basquiat. Both artists reveal the historically fueled racist elements of western culture through their paintings. Gordon Bennett's series Notes to Basquiat is inspired by the work of Jean-Michel Basquiat, the Haitian-American artist with Puerto-Rican heritage who came to prominence in the USA in the 1980s. Notes to Basquiat: Famous boomerang 1998 of history and culture - not an essence, but a positioning. Measurements. View Notes to Basquiat (1999) By Bennett Gordon; Synthetic polymer paint on linen; 182.5 x 182.5 cm. Notes to Basquiat: one tense moment, Bellas Milani Gallery, Fortitude Valley, Jun1999Unknown, Biennale of Sydney 2000, Museum of Contemporary Art, Australia, 26May200030Jul2000, Outsider/ insider: the art of Gordon Bennett, AAMU, Museum of contemporary Aboriginal art, Utrecht, 21Jun201209Dec2012, Mmoires vives: une histoire de l'art aborigine, Muse dAquitaine, Bordeaux, 16Oct201330Mar2014, Australian art and the Russian avant-garde, Art Gallery of New South Wales, Sydney, 29Jul201729Oct2017, Carnivalesque, Art Gallery of New South Wales, Sydney, 23Jun201828Oct2018, Jrme Bellay (Editor), Le Journal du Dimanche, 'L'art aborigne, la croise des mondes', pg. Synthetic polymer paint on paper Please also be aware that you may see certain words or descriptions in this catalogue which reflect the authors attitude or that of the period in which the item was created and may now be considered offensive. of different experience and layers that make us the individuals we are Explainer: what is postmodernism? GORDON BENNETT (b. 1955) His artwork resist and debate racial stereotyping and is critical of Australias colonial history and postcolonial present. If I were to choose a single word to describe my underlying drive it would be freedom To be free we must be able to question the ways our own history defines us. (2014). By Julie Ewington Gordon Bennett - Notes to Basquiat: 911 - Search the Collection, National Gallery of Australia Georges Petitjean, Kitty Zijlmans and Ian McLean, Outsider/insider: the art of Gordon Bennett, Ghent, 2012, 50 (colour illus.). Meet one of Australias most important contemporary artists, whose bold and playful works explore the politics of identity, Gordon BennettHome Dcor (Relative/Absolute) Flowers for Mathinna #2 1999acrylic on linen182.5 x 182.5cmCollection: Museum of Contemporary Art, purchased with funds provided by the MCA Foundation, 2012 The Estate of Gordon Bennett. Open from 12 noon Anzac Day Closed Good Friday, Christmas Day and Boxing Day, Queensland Art Gallery Board of Trustees 2023, See Kelly Gellatly, Citizen in the making: The art of Gordon Bennett, in, Stanley Place, South Brisbane, Queensland 4101 Australia. 16, Paris, 08 Dec 2013, 16 (colour illus.). The price achieved of AUD 4,700 ( 2,835) was within expectations - the estimate range had previously been given by the auction house as AUD 4,000 - 5,000. At times it is as though we are looking at the work of more than one artist. Medium. Underlying this dialogue with Basquiat Bennett's need to re-contextualise the issues that he has explored throughout his artistic career, confronting them within a global context. Notes to Basquiat - Big Shoes - 2002. To learn more about how to request items watch this short online video . Basquiat, New York: Merrell Publishers. on exhibition catalogue front cover), Aulich, A., Visual Arts, The Melbourne Review, Melbourne, issue 21, July 2013, pp. . Again echoing Benjamin, Bennett draws a direct link between civilisation and barbarism, or here Enlightenment and suicide. His colourful and thought provoking conceptual paintings, prints, performance videos and installations draw on many different sources and styles. 'One of the most important Australian artists of the late 20th century Ewen McDonald (Editor), Biennale of Sydney 2000, Sydney, 2000, 39 (colour illus. Gordon Bennett | NGV Inscriptions: "G. Bennett Nov. 1999 / Notes to Basquiat: Untitled"--On verso. Bennett claims his identity was, shaped by the historical narratives of colonialism with all its romantic illusions and factual deletions (SMH 2014). Thus, the oppressive ideologies and events surrounding colonization have been detrimental to the cultural identity of Aboriginal people and has consequently affected their social wellbeing today. They often use the dots associated with Aboriginal Western Desert painting intertwined with western systems of realist depiction. In Gordon Bennett's splendidly savage painting Notes to Basquiat: Perfect teeth 2000, his bright, biting satire sets white teeth against black skin in a retro pop-culture parody; the word 'mono' in the centre of the canvas suggests the dominance of one colour in art and life, as well as implying what we might think of monotones (wherever found) and the assertion of a 'monoculture'. Artists suggestions based on your preferences, Filter by media, style, movement, nationality and activity period, Overall performance of recent notable sales, Upcoming exhibitions at your preferred locations, Global snapshot, top performers and top lots, Charts on artist trends and performance over time, ready to export, Get your artworks appraised online in 72 hours or less by experienced IFAA accredited professionals. In Abstraction (Native), from the Abstraction series of 20102013, Bennett imposes the face of Australian politician and social activist Peter Garrett (formerly the front man of Australian rock band, Midnight Oil) onto an abstracted human figure. We notify you each time your favorite artists feature in an exhibition, auction or the press, Access detailed sales records for over 657,106 artists, and more than two decades of past auction results, Buy unsold paintings, prints and more for the best price, Notes to Basquiat: Myth of The Western Man ,2001, Notes to Basquiat: Cut the Circle II ,2001, Home Decor (After Margaret Presont) ; Preston+DeStijl = Citizen (My Boomerang Won't Come Back) 1996 - Gordon Bennett, Home Decor (Counter Composition) Black Swan, 1999 - Gordon Bennett. Search the catalogue for collection items held by the National Library of Australia. In the open letter to Jean-Michel Basquiat, Bennett continues: To some, writing a letter to a person post-humously may seem very tacky and an attempt to gain some kind of attention, even 'steal' your 'crown'. He felt alienated by his Australian education and the representation of Aboriginal people in Western culture and as a result, began confronting the idea of identity in his own work. material existence, even though we may be separated by cultural context, synthetic polymer paint on linen. 1999, Notes to Basquiat Untitled, 1999 [picture] / Gordon Bennett. Gordon Bennett was one of the leading artists of his generation and received widespread recognition internationally for his striking . NOTES TO BASQUIAT: LIBERTY, 2000 | Deutscher and Hackett Copyright or permission restrictions may apply. Special Collections Reading Room - Item/s may be unavailable, Brolgas at twilight, 1999 / Pamela Griffith, [Australian diaries and desk calendars 1999]. and painterly fields of your work and particularly to the layered lines Basquiat and Diaz used it as a tool for making social commentary with poetic statements throughout the urban environment. My intention is in keeping with the integrity of my work in which appropriation and citation, sampling and remixing are an integral part, as are attempts to communicate a basic underlying humanity to the perception of 'blackness' in its philosophical and historical production within western cultural contexts. Write an article and join a growing community of more than 163,400 academics and researchers from 4,609 institutions. Gordon Bennett Notes to Basquiat: Modern Art, Sherman Galleries, exh. The ideals of pure colour and form of early 20th century De Stjil abstraction appeared to Bennett as another form of exclusion. the points of identification, or suture, which are made within the discourses I was excited to find in the essay "Welcome to the Terrordome: Jean The textured surface references the colonial footprint of global black slavery. Sold for $44,400 (inc. BP) in Auction 3 - 29 November 2007, Melbourne. is inspired by the work of Jean-Michel Basquiat, the Haitian-American Aboriginal Australians -- Politics and government. Notes to Basquiat: Kwijibo 1998 152.3 182.7 cm. Read more: Bennetts Notes to Basquiat collectively have had an extensive exhibition history, with a selection exhibited in the Kwangju Biennale 2000: Man + Space, Korea and the 9th Asia Pacific Triennial in 2001. The art and legacy of Gordon Bennett (1955-2014), one of Australia's most influential contemporary artists, will be on show at the Gallery of Modern Art (GOMA) from 7 November 2020 to 21 March 2021. Sonia Boyce explores her own sense of self in relation to media images of blackness and whiteness in the work From Tarzan to Rambo Get to know Theaster Gates. He felt alienated by his Australian education and the representation of Aboriginal people in Western culture and as a result, began confronting the idea of identity in his own work. Notes to Basquiat Untitled, 1999 [picture] / Gordon Bennett | National 152: GORDON BENNETT. Others are held in regional, state and national collections (National Gallery of Australia, Queensland Art Gallery and Gallery of Modern Art, National Gallery of Victoria and the Art Gallery of New South Wales) as well as international collections including Wereldmuseum, Rotterdam.LUCIE REEVES-SMITH, Important Australian + International Fine Art, Gordon Bennett, managed by John Citizen Arts Pty Ltd. In 1995 Bennett began making work under the name 'John Citizen'. Estimate: $40,000 - 50,000. signed and dated verso: G. Bennett 8 -03-2001. title, medium and dimensions inscribed verso: NOTES TO BASQUIAT: CUT THE CIRCLE II / Acrylic on linen / 5 x 6, 152 x 182.5 cm. ), 210. Given that consistently expressed view, thinking about how his work addresses the cause of anti-racism is an apt prism through which to view the current exhibition. Bennett, Gordon. Bennett not only borrows images from the work of American artist Jean-Michel Basquiat, but also begins to mimic Basquiat's spontaneous and gestural urban style of painting, reflecting his involvement in the graffiti culture of the United States. I guess it spoke to me of the traces . These shapes are coloured red, yellow and black referencing the Aboriginal flag and loss of a culture. (LogOut/ reality embodied in the idea "that we are all alike underneath" is also Jean-Michel Basquiat I salute you. 120 x 80cm It was another way for the artist to avoid being typecast simply as 'a professional Aborigine, which both misrepresents me and denies my upbringing and Scottish/English heritage'. Gordon Bennett (19552014) worked for Telecom Australia before quitting his job at the age of thirty and enrolling in a fine arts degree at Queensland College of Art. (2014). I confess I used to think so, but seeing this exhibition has made me reconsider. This major display, drawn from the National Gallery's collection, brings together works by First Nations and non-Indigenous artists from across Australia, including work by artists from Asia and the Pacific. 1 / 1 - Notes to Basquiat - Big Shoes - 2002. Impossible aims, such as this one, often underpin and drive the work of major artists; an achievable aim after all would be quickly satisfied. For example, expressionism features in the highly visceral Outsider (1988), which replays Van Goghs Starry Night. This painting emanates from the 'Notes to Basquiat' series of paintings, where the artist takes appropriation to a new level within his practice. the 1980s. At the entrance to this exhibition, there is an excerpt from the artists notebook from December 1991. Sold for $98,182 (inc. BP) in Auction 65 - 10 November 2021, Melbourne.
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